Showing posts with label editor. Show all posts
Showing posts with label editor. Show all posts

Tuesday, November 12, 2013

Interview with Patricia Fry

Patricia Fry is a full-time writer/editor and the author of 40 books. She is also the executive director of SPAWN (Small Publishers, Artists and Writers network). She says, "While I have written books on a variety of topics—grandparenting, local history, youth mentoring, journaling and even how to present a Hawaiian luau on the mainland—most of those I’ve written for the last fifteen years or so are for writers and authors." The most recent are Publish Your Book, Promote Your Book and Talk Up Your Book. While she established her own publishing company (Matilija Press) in 1983 in order to produce a comprehensive local history, some of her books have been published through traditional publishing houses. Allworth Press is the publisher for this trio of books. Patricia travels and speak at writers conferences and for writers groups throughout the U.S. on publishing and book marketing. She also writes two e-newsletters and a blog for authors and contributes numerous articles to other publications and blog sites each month. She says, "I spend most of my time promoting my books and working with other authors on their book projects. Of course, I also usually have a new book in the works. Most recently, I have started writing fiction." Patricia has generously given us some of her time today to talk about her novels and making the switch from nonfiction to fiction author!

Tell us about Cat Eye Witness. What was your inspiration/motivation behind this book/this series?

Thank you for asking. For my last birthday (in June), I decided to treat myself by finally attempting a work of fiction. I’d been writing nonfiction for nearly 40 years and wanted to try my hand at a novel. I like reading light (cozy) mysteries and I love cats, so decided to do what others before me have done and combine the two. Within six months or so, I had written two novels in my Klepto Cat Mystery series, “Catnapped” and “Cat-Eye Witness.” I had heard good things about Kindle Direct Publishing and decided to get my feet wet as a potential novelist through this program. Both of these novels are at Amazon for Kindle as we speak. (Links below.) There are no talking cats—just real cats with purrsonality. One cat, in particular, has a most unusual habit that usually results in helping to solve the mysteries.

What have you learned through writing novels as opposed to your nonfiction books and articles?

I have learned how much fun it is to manufacture characters and scenarios and what it feels like to be responsible for creating characters and stories that are entertaining as well as meaningful in some way. I notice that I incorporate some of my nonfiction tendencies to teach and educate into the stories I tell. And I’ve come to realize that there must be truth in fiction in order for it to be credible. I’ve been editing fiction for several years and I think this (as well as my tendency to read fiction with a rather critical eye) has helped me to write with my audience in mind. And this is as important in fiction as it is in nonfiction. I’ve also learned that the message I’ve been sharing for years—that the concept of and the process of promoting fiction is not all that different from promoting nonfiction. It has been a real challenge to convince most novelists of this fact.

How did you get started writing?

I was a young mother when I realized that I enjoyed the process of writing—letters, grocery lists, little stories for my children, etc. At some point, I decided that when my three daughters were older, I wanted to write articles for magazines. I was fascinated by the structure of an article and the wide array of possibilities in the way you could address a single topic. I started subscribing to writing magazines and I read a lot of magazine articles. In 1973, when the girls were in their teens, I borrowed a manual typewriter and wrote my first article. The first magazine I submitted it to published it. The first book I wrote was also published—by a New York publisher.

I earned my living through magazine article-writing for many years. My articles appeared in Cat Fancy, Your Health, Woman’s World, Ladies Circle, Catholic Digest, Pages, Entrepreneur, Western Horse, Writer’s Digest and many others over the years.

I now have 40 books to my credit, including several designed for authors.

I am one of those fortunate people who has figured out how to create a lifestyle and earn a living through writing.

What is your writing process like? Do you write on a computer? In a spiral notebook? Do you write at the same time every day?

I get up every morning around 4:30 or 5:00 and write (edit, do SPAWN work, respond to interview requests, etc.) until around 9 or 10. I straighten up the house, clean kitty litter boxes and take a walk and then go back into my home office and spend another several hours at the computer. I may take another break and run errands (ship books, pick up supplies, etc.) before finishing up the day of writing work by 3:30 p.m. or so. Often, I can be found conducting research or scheduling tasks for the following day while relaxing in front of the evening news.

As I said, writing for me is a lifestyle. It is my life—my hobby, my creative outlet and my livelihood. I do all of my writing at the computer now—although it was hard to switch from the spiral notebook when I purchased my first word processor some 25 years ago. I had to learn to think into the computer.

Because I often work (if you can call writing “work”) seven days a week, I occasionally suffer burnout. That’s when I will take a longer walk among nature, perhaps. I might do a little gardening or engage in another creative activity—photography, for example.

How do you get ideas for your fiction?
As you know, I’m new to writing fiction. So far, I’ve written three novels in the Klepto Cat Mystery series. Two are published for Kindle and one is waiting in the wings for extensive editing/proofing, etc. I will also turn it over to some readers before publishing. These three stories have materialized before my eyes as I write. I start with a premise, come up with a beginning scene (which may end up in the middle of the book somewhere) and just start writing. The ideas seem to emerge through the characters. Although, if an idea strikes me, I will write it down to possibly use in one of the stories.

What is your biggest advice for other writers?
My advice to those who are writing books is, keep your audience in mind throughout the entire writing process. For nonfiction, make sure the book is needed/wanted and that you have organized it in the most logical manner. Write instructions so they are easy to follow. For fiction, write in a genre that is popular. Write scenes that flow. Don’t leave the reader behind. If you are writing for publication, you must think about promotion from the very beginning of the project. I advise authors to build promotion into their books as they write them and one way is to consider your audience throughout the process.

What are some of your favorite books?
Because many of your readers are or plan to be authors, I’d like to talk about books for authors. If you are considering using one of the pay-to-publish (or self-publishing) companies, please read Mark Levine’s book The Fine Print of Self-PublishingHe has just done a major revision. But any edition of his book is worth the price. He rates and ranks these companies and explains their contracts (good and bad). Also read my books: Publish Your Book (a great guide to understanding and learning to navigate the publishing industry) and Promote Your Book (which is filled with over 250 book promotion ideas and how to use them). Both of these are available at Amazon.com in print, for Kindle and in audio. Or purchase the print version here: http://www.matilijapress.com.

Is there anything else you would like to add?

An educated author is a more successful author. Always, always think of yourself as the CEO of your book from the very beginning. Writing may be a creative endeavor, but publishing is a business and should be respected as such.

I’d also like to introduce SPAWN. Mary Embree is the founder of Small Publishers, Artists and Writers Network. She formed this organization in 1996 in order to provide the opportunity for authors, illustrators, printers, publishers, agents, etc. to network face-to-face and possibly collaborate on projects together. We also brought in experts and professionals to speak on pertinent topics. We started with three chapters in the Southern CA area. I have been involved in SPAWN since the beginning. I am now the executive director. We no longer meet in person. We are online only and still provide opportunities to network through an online discussion group. I write the SPAWN Market Update, a meaty e-newsletter each month for members only that is brimming with opportunities and resources for authors, artists and other creatives. We have two booths at the Los Angeles Times Festival of Books each year, where members can sell their books to some of the 140,000 visitors. Sign up for our free monthly e-newsletter, SPAWNews http://www.spawn.org.  Contact me at Patricia@spawn.org.

Are there any links you'd like me to share?
  •  http://www.matilijapress.com Here, you’ll find my books showcased, my speaking schedule, a large list of resources for authors, tons of articles of interest to authors and more.
  • http://www.patriciafry.com Learn more about my editing services. Also download my free e-booklet, 50 Ways to Establish Your Platform. Sign up for my new e-newsletter, Publishing/Marketing News and Views.
  • Join SPAWN (Small Publishers, Artists and Writers Network) http://www.spawn.org. Sign up for our FREE e-newsletter, SPAWNews. Receive a FREE copy of Promote Yourself! 25 Ways to Promote Your Work Whether You’re an Artist, Author of Small Publisher.
  • Order Patricia Fry’s two novels for your Kindle: Catnapped http://amzn.to/14OCk0W and Cat-Eye Witness http://amzn.to/1bJiq0x
  • Contact Patricia here: PLFry620@yahoo.com

Monday, August 13, 2012

Interview with Erika Dreifus, author of Quiet Americans

I am so excited to have Erika Dreifus as a guest on my blog today! I first discovered Erika through her extremely helpful newsletter The Practicing Writer, and was blown away by her moving and beautifully nuanced collection of short stories Quiet Americans. I am delighted to have her here today to talk more about her fiction and her own writing journey.

Erika is the author of Quiet Americans: Stories (Last Light Studio), which is a 2012 ALA Sophie Brody Medal Honor Title for outstanding Jewish literature. Quiet Americans was also named a Notable Book (The Jewish Journal) and a Top Small-Press Book (Shelf Unbound). Erika is a contributing editor for The Writer magazine and Fiction Writers Review and an advisory board member for J Journal: New Writing on Justice, and she wrote the section on “Choosing a Low-Residency MFA Program in Creative Writing” for the second edition of Tom Kealey’s Creative Writing MFA Handbook (Continuum, 2008). Erika is also the editor/publisher of The Practicing Writer, a free (and popular) e-newsletter featuring advice, opportunities, and resources on the craft and business of writing for fictionists, poets, and writers of creative nonfiction.

Tell us about Quiet Americans. What was your inspiration/motivation behind this book? 

First, Dallas, thanks so much for your interest and for the opportunity to "meet" your readers. Quiet Americans is a collection of short stories. It’s a book of fiction, but most of the stories are inspired in some way by the histories and experiences of my paternal grandparents, German Jews who immigrated to the United States in the late 1930s, and by my awareness of this legacy.

How did you get started writing? 

I was a reader, first. An early and enthusiastic reader! Words, stories, and books simply grabbed me. My first bylined publications were brief poems that were published in my elementary-school newsletter. I haven’t stopped writing since then.

What is your writing process like? 

My process isn’t fixed. It can vary by genre or assignment, and it has definitely changed over the years that I’ve been writing (computers weren’t always an option!). These days, most of the writing I do these days is, in fact, on a computer. But sometimes I really enjoy returning to a notepad or notebook, especially if I’m working on a shorter piece or just beginning something new.

What are some of your favorite books? 

A few years after those poems were published in my elementary-school newsletter, I read Betty Smith’s classic A Tree Grows in Brooklyn for the first time. That novel became and remains one of my favorite books. And I’ve studied French history and literature fairly extensively, so there are several French books—like Gustave Flaubert’s Madame Bovary—that mean a great to me, too.

What is your biggest advice for young people reaching for their dreams? 

Don’t give up!

Erika has generously offered to give an ebook copy of Quiet Americans away to one lucky blog reader!! All you need to to do enter is leave a comment below. A winner will be chosen at random on Friday, August 17.

(The ebook will be through Kindle, but readers don't need to own a Kindle device to read Kindle e-books! http://www.amazon.com/gp/feature.html/ref=sv_kinh_1?ie=UTF8&docId=1000493771)

Connect with Erika:
Erika loves to share writing resources with others. For starters, check out her Practicing Writing blog and Practicing Writer newsletter. Her website also features an extensive resources section. You can follow Erika on Twitter (@erikadreifus) or via Facebook (facebook.com/erikadreifusauthor).

Thursday, January 26, 2012

Part Two: Interview with Jeevan Sivasubramaniam


I am honored and delighted to have Jeevan Sivasubramaniam as my guest on the blog! I first "met" him on Twitter (follow him @EditorialHell) after becoming a fan of the informative and hilarious monthly newsletters he sends out for Berrett-Koehler Publishers. (Check out their website and subscribe to their newsletter here.) Berrett-Koehler is a publisher of nonfiction books and is a company dedicated to "creating a world that works for all." They are celebrating their 20th anniversary and also have a feature article in the latest issue of Publisher's Weekly: http://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/50199-berrett-koehler-posts-another-profitable-year.html.

Read on for an editor's insights on the writing and publishing process!

Some writers are anxious about today's publishing landscape-- the loss of many independent bookstores, the rise of ebooks. What are your thoughts about publishing today? Any advice for writers, particularly ones anxious about so much change?


The landscape is always changing in media and someone's always complaining. Back in the 1950s when there was a gradual shift to paperbacks, publishers said it was the end of the industry. I am old enough to remember when videotapes came on the market and everyone said that television was now dead because you could fast-forward through commercials so advertising would dry up. Traditional publishing is changing but I think there's a tremendous opportunity here if someone could just figure out the answer to the challenge. The challenge is this: people are reading more today than in any other time in history. They may not be reading books, but they are definitely reading -- mass quantities of it, in fact. Publishers are essentially generators of reading materials, and we are living in a time when people are reading more than ever before. Do you see how frustrating that is? Ideally, this should be our time to shine, not crash. So, writers, don't be anxious, but be innovative and don't restrict yourself to traditional mediums. Look what Amanda Hocking did by being innovative about how she created a market for her writing -- and sold over a million copies of her book (http://www.guardian.co.uk/books/2012/jan/12/amanda-hocking-self-publishing).

For you as an editor, what makes a writer great to work with?

A genuine openness to guidance. I understand why writers are hesitant about letting someone get involved with their writing. Writing is the most personal thing we can create and we're inevitably going to be very protective and guarded about it. That said, you have to trust the editor because, quite honestly, you can't trust yourself. This is why surgeons don't operate on their own family -- a level of distance and objectivity is needed to really assess and edit a project and a writer's over-protectiveness is not going to help. Just as the even the best surgeon in the world will hand the scalpel over to a trusted colleague when it comes to operating on a family member, writers need to listen to their editors. Remember that an editor's job is to make the book the strongest it can be and so make the author look the best he or she can be. Editors' names do not appear anywhere on the book (unless they are specifically thanked in the acknowledgments) and no will ever know their role in creating a book, so authors should understand that editors are not in this business for personal gain or fame. They genuinely like what they do.

Do you have some favorite books that might be helpful for writers to read?
  • Elements of Style has always been the primer for any writer, I think.
  • On Writing Well by Zinser
  • And of course the instruction manual for language, The Chicago Manual of Style (though I hate that they keep revising it annually).
  • Also, my friend and author Mark Levy's book Accidental Genius: Using Writing to Generate Your Best Ideas, Insight, and Content.
Is there anything else you would like to add?

I was thinking of something clever to say here but I think that if I really wanted to help your readers, I would be better off saving the pithy remarks and instead saying I am happy to take any questions and will do my best to answer them. Just email them to me at jsiva@bkpub.com and in the subject line, say "Question after reading Dallas' blog interview" so I'll know it's one of your folks.

Wednesday, January 25, 2012

Interview with Jeevan Sivasubramaniam, Managing Director, Editorial at Berrett-Koehler Publishers, Inc.

I am honored and delighted to have Jeevan Sivasubramaniam as my guest on the blog today! I first "met" him on Twitter (follow him @EditorialHell) after becoming a fan of the informative and hilarious monthly newsletters he sends out for Berrett-Koehler Publishers. (Check out their website and subscribe to their newsletter here.) Berrett-Koehler is a publisher of nonfiction books and is a company dedicated to "creating a world that works for all." They are celebrating their 20th anniversary and also have a feature article in the latest issue of Publisher's Weekly: http://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/50199-berrett-koehler-posts-another-profitable-year.html.

Read on for an editor's insights on the writing and publishing process!


What would you like readers to know about you as an introduction?

Well, I'm the Managing Director for the Editorial Department here at Berrett-Koehler Publishers. I do work on acquiring a project or two here and there but by and large I am the chief administrator for the Editorial Department and handle a lot of the inter-departmental stuff. People never think of editorial departments as having administrators, but they actually need it more than anyone else because a company lives or dies by the acquisitions and decisions the editorial department makes. I am responsible for tracking all projects, drafting contracts, administrating editorial reviews, overseeing signings by the editors (and meeting various signings goals), handling author relationships, inter-departmental communications, legal and copyright concerns, communications with various Library of Congress offices, and a few other boring things. I am also given some leeway to do the initial legwork on acquiring some promising projects and authors and I usually pull in about two or three a year. Because I don't have a quota of signings like the other editors, I can be very selective and hold out for the most promising authors -- a luxury few editors can afford.

How did you get interested in editing and publishing?

I was originally interested in intellectual property and legal documentation but slowly gained an interest in copyright and publishing legal issues during my time with a legal services company after graduation from college. In grad school I worked with a professor as a graduate research assistant and her big task for me was to find a publisher for an anthology of plays by women from around the world. I had to educate myself as I went along and it was quite exciting. It was also downright frustrating as I saw how publishers can treat authors. Almost all authors you meet have an adversarial relationship with their publisher -- as if they consider each other as necessary evils. I felt publishers could do better, and also wanted to be a part of a better publishing model.

What grabs you as a reader?

A compellingly different way of looking at things. I say "compellingly" because just seeing something in a different way is not enough. As human beings, we are programmed to see things differently whether we like it or not -- that in itself is nothing too exciting. But some people see things that almost contradict what everyone else sees. To give an example, there are so many books on how to act on the here and now -- how the past is not relevant, only the present moment and what you choose to do with it. Then I met an author who actually felt that was simplistic and wrong. He felt that the past was the most valuable tool we had to shape our futures -- that the lessons from our regrets and things we would rather not think about are most important to this exercise. I liked that he was not afraid of going up against an entire movement (you know which authors I'm talking about and you know how big they are) and challenging how they advised people to do things. A colleague once told me that I'm always looking for a good fight when it comes to the books that I like. I think his assertion was spot-on. I like books that create trouble and make people question what they thought they knew.

Check back tomorrow for PART TWO of my interview with Jeevan!

Friday, January 7, 2011

Guest Post by Mark Davies

3 Ways to Fall in Love With Your Writing

I’m one of those people who stumbled into the writing business serendipitously, so when people ask me for tips and pointers on how to write, I’m stumped. In my book, writing is a skill that you either have or don’t, just like painting, drawing and other creative arts. However, if you have the basic skills, it’s easy enough to learn how to hone your writing and make it better.

Do you need a little help to fine-tune your style and iron out the creases in your writing? Here are some tips to help you truly fall in love with your writing:

Continue to write. The best way to become a better writer is to keep at it; the more you write, the more you develop as a writer. I look at what I’ve written a few years ago, and I find myself poking holes in my style, finding fault with my flow, and picking out mistakes that my eyes did not see when I was writing them. I realized that one way to grow as a writer is to keep writing, about the things that you’re really passionate about and about any topic that takes your fancy. Writing does not have to be novel-length or even article-length; even a few paragraphs are enough if you do it on a consistent basis.

Read as much as you can. I was and still am a voracious reader; books are my best friends, and I’m never seen without one. When old friends learn that I write for a living, they’re not surprised – they say that it’s an apt profession for me considering how much of a bookworm I was growing up. So if you want to become a better writer, read as much as you can -- different genres, different authors, and different styles. You’ll soon find that you develop a style of your own, one that is a blend of all that you’ve read, but which is unique to you.

Pay attention to spelling and grammar. Most people don’t think too much about spelling and grammar as long as they’re able to think creatively and put down their thoughts on paper. However, when you read copy that’s riddled with grammatical and spelling mistakes, you tend to get immediately turned off. So work on polishing your spelling and grammar skills, and don’t depend too much on spellcheckers to see you through – they only alert you if a spelling is completely wrong, not when you’ve misspelled a word and ended up with another word that is correct, but out of context in your writing. For example, if you mean to write “tear” and instead type out “bear,” your spellchecker is going to completely miss catching the error. So go over your copy with a fine-tooth comb, and if you find that spelling and grammar are not your strong points, work on brushing up your skills or find a good editor to polish your copy and make it presentable.

Good writing is all about appealing to the reader and holding their attention from the first word till the last. If you want readers to fall in love with your writing, first of all you should fall in love with it!


By-line: This guest post is contributed by Mark Davies, who writes on the topic of Masters Degree Online. He welcomes your comments at his email: markdavies247@gmail.com.