Tuesday, May 26, 2015

Interview with Writer & Filmmaker Marjory E. Leposky



Tell us about your various writing projects. What inspires you? 

To date I have written two feature films: Reasons? and Getting To The Game; two TV pilots, Gables and Who's Jared; one short film, La Fuente (The Fountain); and one animation script/children's book about a cat named Mr. Grumbles. Reasons?, Getting To The Game, and Gables -- the first three -- were written from anger over what was going on in my life and my world at the time. Who's Jared, La Fuente (The Fountain), and Mr. Grumbles were written a few years later, inspired by ideas that came to me and events that happened to me. For me personally, it is a lot easier to research and write from anger than from inspiration.

What made you want to become a writer? 

My parents are non-fiction writers. I never really had plans to become a writer, too. I'm really a filmmaker. I've been told that if I want to move up in my career, I should write my own projects -- but no one explained what went into getting them made: finding an agent or publisher, and raising the necessary funds. So I have had to learn all that myself.

Can you give us a peek into your writing schedule?  

I have not written a script in the past five years. I have spent this time grant-writing and fund-raising, looking for an agent and publisher, and trying to decide if I want to self-publish Mr. Grumbles, which would lead to more grant-writing and fund-raising.

When I am in a writing mode. I just sit down with good music on, and I write in Finaldraft. I do not write the old-school way with cards and strips. I might write an outline. Most of my characters just talk to me, and I write. I find that most of the time I have to do research on the subject I am writing about. I do interviews and "hang out" with the subject.

What is your biggest advice for people who want to write films? 

Don't waste your time and money on those $1,000-dollar writing programs. With screenwriting you need to know the rules before you start to change or break the rules of screenwriting. Do take a screenwriting class at either a community college or university.

What are your favorite children's books? 

The Giving Tree and other poem books by Shel Silverstein; and Tikki Tikki Tembo by Arlene Mosel and Blair Lent.

Is there anything else you would like to add? 

Start with writing from the heart. Then you need to do re-writes, which no one wants to do. Also, always have a good proofreader.

Connect with Marjory at the links below: 

No comments: