Wednesday, June 7, 2017

Write On! Youth Fiction and Poetry Prizes


Ten years ago, I held the first Write On! Summer Writing Camp for young writers. In the years since: 

Many of my students have gone on to publish their work and win writing contests; many have become editors for their high school newspapers and literary magazines; some have even gone on to study Creative Writing and Journalism in college! I am so proud of every single one of the young writers I have had the privilege to meet and teach in the past decade. All these years, one thing has remained the same: my belief in the magic of unleashing your creativity through writing.

Exciting news! In celebration of the 10th Annual Summer Writing Camp—held this year in Ventura, California, on August 15, 16, 19, and 20—I am holding the first ever Write On! Youth Fiction and Poetry Prizes for young writers ages 18 and under!

You can win prize money, books, a free coaching call with me… and you might even become a published writer! Read below for the rules and submission procedures. I can’t wait to read your work!

Prizes in all categories are: 
  • First place: $50, a free 30-minute coaching call with me, a signed copy of my book of short stories 3 a.m., and publication of your work on Word Smorgasbord online literary magazine
  • Second place: $25, a signed copy of 3 a.m., and publication of your work 
  • Third place: a signed copy of 3 a.m. and publication of your work 
  • Finalists: publication of your work 

Contest Rules: 
  1. This contest is judged BLIND, which means no identifying information should be on your entry. You will submit your name, age and contact information through the submission form. If your name is included on your entry, it will be disqualified. 
  2. Word limit: fiction should be 1,000 words or less. Poetry should be 2 pages or less. 
  3. There is a $10 entry fee for each piece, or you can submit 3 entries for $25. This helps fund the prizes and the administration costs of Submittable. You also have the option to purchase a copy of Dancing With The Pen II: a collection of today’s best youth writing at the special discounted price of $15, rather than its cover price of $25. 
  4. You may submit as many entries as you would like, as long as you pay the entry fee for each piece you submit. 
  5. The contest deadline is midnight Pacific Standard Time on Sunday, August 20, 2017 (the final day of this year’s Summer Writing Camp). 


 –> Click here to submit your work now! <–


I can't wait to read your wonderful, beautiful, amazing, brilliant, scary, funny, thrilling, heart-wrenching, goosebump-inducing, magical, lovely stories and poems! :)

Friday, May 19, 2017

How Far Will Your Ripples Go?

Last week, I went with my friend Marjie to UC Berkeley to see the Scottish Ballet's stunning performance of Tennessee Williams' famous play "A Streetcar Named Desire." It was my first time going to a professional ballet performance---my only previous ballet experience was attending community performances of "The Nutcracker." I always enjoyed "The Nutcracker" and was always impressed by the talent of the ballerinas. Still, I was not expecting to feel so emotionally moved and enraptured as I watched the performance last night.

The dancers conveyed so much with their bodies and expressions; I forgot they were not speaking in words. Because they were speaking in movement. Even without dialogue, they were able to capture the aching hope and despair of Williams' play, and bring his story to life in a new way. What's more, this performance imagined and fleshed out a vivid backstory for Blanche's character, inspired by the original title Tennessee Williams considered for the play: "The Moth." The ballet closed with a vulnerable portrayal of Blanche as a moth, struggling to get close to the light. Illuminated in a spotlight centerstage, one of her hands fluttered skyward like a moth's delicate wings. A hush descended over the audience and some people even gasped, viscerally moved by the image, and then the curtain fell to thunderous applause.

I wish Tennessee Williams could have been there to see this interpretation of his play as a ballet. I think he would have been pleased to see his story brought to life in this new way, filled with the tension and drama of music and dance.

 


I have felt a connection to Tennessee Williams ever since last Thanksgiving, when my family and I traveled to New Orleans and tracked down the apartment that he had lived in during his New Orleans days at the end of his life. Serendipitously, while we were outside, taking photos and reading the small plaque affixed to the front wall, a man who lived there just happened to be returning home. He introduced himself as Brobson and invited us inside for a drink; he had lived there for many years and had known Tennessee Williams. He kindly welcomed us inside and shared many stories, even taking us around to the backyard to see the pool where Tennessee used to relax in the afternoons. (My dad wrote a terrific two-part column about our visit with Brobson, which you can read here on his website.)

Before that day, Tennessee Williams had been larger-than-life to me; a name in a list of Great Writers I Admire; a photo on a Wikipedia page. But seeing where he had lived and meeting someone who had known him turned him into a real person. There were surely days he struggled to write, as I sometimes do. Days when he doubted himself. Days when he wanted to give up. "A Streetcar Named Desire" was once merely a glimmer of an idea on the edge of his consciousness.

Thankfully, he wrote the idea down, and he kept writing until the play was finished. Even when it was hard. Even when there were a million other things he could have been doing, or would have rather been doing. Even when he wondered if the words he was painstakingly stacking up, one after the next after the next, would amount to anything at all.

Tennessee Williams had no way of knowing how much his plays would impact people and how far the ripples of his creativity would extend. He had no way of knowing that on a Thursday evening in Berkeley thirty-seven years after his death, hundreds of people would be moved to tears from a new portrayal of the characters he had dreamed up.

None of us know how far our own ripples will go. The gifts we create. The lives we touch. The kind words we share. All of these are stones dropped into water. What was once still is now in motion. 

You have no idea how your daily actions might inspire others. What you do and make today might affect someone tomorrow, or next week, or ten years from now. Others in the future might learn from you and build upon what you have done, creating something of their own that is entirely new and wonderful, something else that will launch more ripples out into the world.




{source}


Back when I was in elementary school, I wrote and self-published a small book of stories and poems. Nearly two decades later, I received an email from a composer named Alex Marthaler at Carnegie Mellon University. He was creating a song-cycle around the theme of childhood and adulthood, and he had somehow discovered my little book. Would it be okay if he used some of my poems as lyrics for the songs he wanted to compose?

Yes! I quickly responded. Yes, that would be amazing! 

Would I be willing to write a few companion poems, responding to the themes of the poems I had written as a child, now from an adult perspective? 

Yes, yes! What a fun project! 

And it was an extremely fun project, unlike anything else I had done before or since. I looked at the poems my child-self had written with fresh eyes and new appreciation, and I wrote new poems that were in conversation with them. It was like talking to the girl I had once been, and listening to her replies. She helped me remember why I first fell in love with writing to begin with. The magic of setting your thoughts down onto paper, and then releasing those words into the universe. Like launching hundreds of miniature paper airplanes into the sky. 

I sent him the new poems, and a few months later, Alex sent me the recordings of the songs. Listening to them, I was blown away with wonder. Who would have imagined that a few little poems I wrote in pencil on lined notebook paper at my kitchen table when I was nine years old, would one day be turned into beautiful songs performed at Carnegie Mellon?

 
{Me in fifth grade with copies of my first little self-published book}

I love this quote from Brene Brown: "Creativity is the way I share my soul with the world." 

How will you share your soul with the world? What ripples will come from what you share? One thing I do know is that our world will be so much richer for it.

P.S. You can listen to Alex's song rendition of my fifth-grade poem "Peanut Butter Surprise" on my website, and if you'd like a copy of my first little book, it's available here. And here is a free download of my childhood poems with their adult counterparts, in case you'd like to read them.



Friday, April 14, 2017

How Not to Lose the Ending of a Story


A Guest Post by Lucy Adams

(source)

Excellent stories influence people months and even years after they are read. However, it sometimes happens that a story that seems perfect at first glance eventually does not meet the high expectations of both the author and the audience. Why does this happen?

Imagine you read a book with all the components (conflict, plot, characters, idea, symbols) in harmony, but after half a year passes you can’t recall even the name of the protagonist, let alone the details. What's the catch?

In most cases, the weakest point of the book is its ending. Weak endings have buried millions of potential bestsellers! Memorable stories always have a strong ending, and it seems that such stories live their own lives. Some of them become great and live for centuries, influencing the fates of readers.

Today our goal is to identify and analyze the main mistakes that authors make when working on the final of the book.

To begin with, let’s distinguish three main reasons that make an ending boring and unremarkable: 

1. Premature ending.
2. Artificial ending.
3. Fully completed ending.

#1 Premature Ending 

There are several reasons that an ending might seem premature:

• There is a too-fast change in the character traits of the protagonist. 
For the reader, the shift in the mindset and character traits is the most important event: the climax in the story. And if it happens too early, the development of the character ceases, and hence all subsequent events seem not so significant and not so interesting to the reader.

• Too-fast goal achievements. 
In every story, the protagonist (as well as the antagonist) has an ultimate goal that he strives for through thick and thin. For example, to get the woman of his dreams. When this happens, the reader gradually gets bored. Therefore, if you want to change the global desire, you should introduce some plot twists as well.

• Untypical actions. 
A coward suddenly becomes brave; an angry soldier engages in charity; a child solves Fermat's theorem, etc. Untypical actions are a sign that the events happen not for the objective reasons but the will of the author. And it’s quite disappointing for the reader!


#2 Artificial Ending

The artificial ending is the most common mistake among aspiring writers. In most cases, the reason for such an unremarkable ending is a thoughtless plot. Note that any narration should be a consistent system that contributes to the development of the protagonist and further change in his or her traits. Non-compliance with this rule results in a blurred ending. Although there’s often is a visible ending, the thoughtful reader will see that you did not know where you were going but simply wandered meaninglessly in the dark.

(source)

#3 Fully Completed Ending

The protagonist reached his goals, changed his traits, and finally achieved complete tranquility… nothing more bothers him, and that’s cool! All the secondary conflicts are solved, and there’s nothing more to talk about. These events suggest that the story is over. But in fact, it should not be so! The achieved calmness is temporary while the change in traits does not guarantee a peaceful life! An excellent story lives for a long time because its ending is always a start of something even more intriguing!

Let’s recall One Flew Over the Cuckoo's Nest by Ken Kesey. The story seems to be over. What to talk about? Suddenly the Chief escapes from the hospital to continue the work of McMurphy, thereby giving us a new meaning. The idea is still alive; it doesn’t die with the protagonist!

In Conclusion 

When working on the ending of the story, authors should make sure that:

• The ending is not premature and the plot develops naturally, preparing readers for the final stage.
• All the secondary storylines are completed.
• The protagonist has reached the goal or failed the mission.
• There are no questions left regarding the main characters.
• The ended story gives birth to a new one and leaves room for thought.

I wish you best of luck in your writing endeavors!


Bio: Lucy Adams is a blogger and essay helper from BuzzEssay. She covers a wide range of topics, from education to psychology. Lucy is a generalist ready to prepare a few guest posts exclusively for your blog. Feel free to suggest something interesting, and you will get a fast and grounded response!

Wednesday, March 15, 2017

Celebrating Success


For most of the year, my job as a writing teacher is a slow, gradual process with my students… helping them write more clearly and expansively, broaden and deepen their thinking, and discover more joy and freedom in the act of writing. Like training for a marathon, it is a “slow and steady” endeavor. I see their growth, but sometimes it is harder for them to see it.

Then, every so often, there are spectacularly exciting days. Days when I receive their giddy emails and phone calls and I get to celebrate with them. Days when their hard work and hours of time are rewarded.

Just in the past few weeks, I have learned that my students were honored in the Scholastic Art & Writing Awards with a whopping 7 Gold Keys, 11 Silver Keys, and 3 Honorable Mentions; Honorable Mention in the national Princeton University High School Poetry Contest; and National Finalist honors in the American High School Poets Just Poetry Competition.


Sometimes the successes are more personal, such as my student who proudly told me that he received a perfect score on an in-class English essay “for the first time ever!!” He said, “I didn’t think I could do that.” I knew he could.

Recently, I received an email from one of my adult students -- who is finally, bravely working on a book that has been bouncing around in her mind for years -- that simply said: "Thank you for helping me break through my inertia." After years of thinking she was not good enough to try her hand at writing, she is now getting her words and ideas down on paper.

I am so grateful for my students, who remind me daily the power of persistence and who fill my life with imagination and enthusiasm. I am so proud of them. It fills my heart to see them gain pride and confidence in themselves.



Would you like to work with me? 

I currently have a select number of spots available in my Guided Mentorship and Online Tutoring programs for young writers, as well as my Writing Coaching programs for adults. Contact me to learn more and book your free 20-minute consultation call with me. I'd love to help you, or your child, gain confidence in your ideas and tell the stories that matter most to you. Let's work together to reframe writing for what it truly is: a tool of connection and empowerment! 

Wednesday, February 22, 2017

"The Great Sledding Hill" by young writer Benjamin Webb


Today I am proud to publish this wonderful story by young writer Benjamin Webb. If you are interested in reading more work by young writers, why not order a personalized copy of Dancing With The Pen II: a collection of today's youth writing here or on Amazon here.

(source)


The Great Sledding Hill 

by Benjamin Webb

The car thumped on the road surrounded in milky white snow. My dad and I were going to a school because behind it there was supposed to be a sledding hill.

Soon we arrived and my dad parked in a parking lot by what looked like a colorful playground. It was hard to see anything because of the snow falling. When I got out of the car I saw the school. It had three floors!

My dad got out my orange sled and we walked to a metal gate.

“How do we get past?” I asked. “It looks locked -- we won’t be able to go sledding!”

“Let’s try,” my dad said and pushed on the gate. Suddenly the gate swung open.

“That did the trick!” I shouted to be heard over the howling wind.

We walked for a minute and I started falling down a slope. My dad grabbed me and pulled me back up. “Be careful,” he warned.

Then I realized that it was not a small slope, it was the hill. It was bigger than our house! You could go skiing on this hill, I thought. Maybe it’s too big.

“Get in the sled,” my dad said.

I got in.

“Ready?” my dad asked.

“Ready” I said slowly. My heart was pounding as I took off down the hill. “Whoa!” I hollered, “This is better than a roller coaster!”

Uh oh, I thought. There was a bump in the hill. The sled flung over the bump and I landed in the soft snow.

“That was something,” I said finally. “I have gone sledding before, but this hill is amazing!” I got up and brushed the snow out of my mittens. Everything seemed okay.

The wind died down and it wasn’t as cold. “Wait -- how am I going to get back up?” I questioned. “Well, I think I have to climb.” I started running up the hill as my sled dragged behind me. “This isn’t too bad,” I said. “Climbing is easy.”

Then I tripped and fell down and noticed some gray concrete stairs. “That is probably easier than climbing.” I laughed and started going up the stairs.

When I got up to the top, my dad waved. I went down the hill over and over again.

--------


Benjamin is 9 years old and loves math, cats, animals, and video games. He has a fish named Rainbow and a cat named Misha. He also likes swimming, hiking and loves drawing.

Thursday, February 9, 2017

Interview with Young Author Caylen D. Smith

 A few months ago, I was super impressed to read about young author Caylen D. Smith in my hometown newspaper. Her self-published "Guardian" series of books is amazingly popular -- the second book in the series, Uneven Odds, even garnered a spot on the Apple iBooks Young Adult New Releases! I reached out to Caylen through her website and she was kind enough to give her time for an interview. I am thrilled to feature her on the blog today! Her story is inspirational and filled with practical writing advice. Read on for more about Caylen, in her own words!  


What would you like readers to know about you as an introduction? 

My author name is Caylen D. Smith (the D stands for dramatic), and my age is 21, soon to be 22! I’m a senior in college and my hometown is Agoura Hills, California. My hobbies—more likely known as addictions—are scrolling through Tumblr and working on my Tumblr blog. It’s a way to be creative. Also, that tweeting nonsense as well. I will never turn down the opportunity to read, mostly anything, but I lean more toward books that are fantasy, or contemporary novels. They are my weakness. If I am not reading or writing, I am definitely watching my favorite movies repeatedly. Mostly anything from the Marvel Universe or a Christopher Nolan film.

Describe your path to publication. How did you get your idea for the first book? Take us through your writing process. 

The idea of the first book, Ripples: Book One of the Guardian Series, was sparked by a dream. The difficult part about it was that I didn’t remember everything that happened. All I remember was there were rebels, a girl and her friends that lived in a huge house, and a lighthouse abandoned on the beach. Not writing down exactly everything in the dream when I first woke up was my fault, but I somehow managed. I thought it would be interesting to name these strangers, and create backgrounds for them as well. Surprisingly, Landon was the first, then came Alexandria, the main character. The rest just followed. I invented their storylines, daily lives and what made them important to the story itself.

I never really thought of putting my work out there to sell. I didn’t think it was quite possible because all I wanted was to write and see where these characters would go on this little adventure I placed them in. Actually, my mother was the one who pushed me to publish my stories. We sent out a few drafts to some companies that were interested, but no offers. So, we decided to self-publish instead. Every now and then we would purchase magazines about self-publishing, and found sites about authors who went that route. It seemed easy enough, but using an editor was something we didn’t think to find at first. Though once we realized how important it was, we found an editor with the help of a friend. We checked out artists on the internet who created book covers too. And soon we had a team that I have used for all three of the Guardian books.

Have you been writing for a long time? What do you like about writing?

Surprisingly, I didn’t start out like other authors. Many say in interviews that they have always aspired to be writers, or how they began to write when they were children. I became passionate with the writing world when I was a tenth grader in high school. That was less than six years ago that I aspired to be a writer. Since then, I have completed nine full manuscripts – three of which have been published. Writing is a complicated thing. I think creating worlds and characters is what keeps me interested. Having to make up backstories of characters and how they got to the point where the book started, and weave in their own unique stories throughout the novel is a challenge I like to make for myself. Like why is this character always angry? Or how can this character have this much joy in their heart? What they look like, smell, and what are their favorite foods—their hobbies and wants. It is what helps me make their world.

What has been the most surprising thing to you in your journey as an author?

The most surprising thing has to be that people actually enjoy reading my books. I know there is this sense that “you are your toughest critic” but all my life I didn’t think I was that great of a writer. That was why I placed myself so low on the food chain, but the funny thing is that each part of the food chain is important in its own way. Each one has a special gift in their own role in life.


Do you have any advice for other writers, or for other young people going after their dreams?

Write what you want to write. I see all the time the contradictions on the internet. For example, one side wants less random death in stories, and the other side can’t get enough of emotional pain. I think, if done appropriately, character death is highly essential for the plot. People die in real life all the time, and having that in the story gives a sense of reality. In one way, listening to the readers is extremely important. Their voices do matter, don’t get me wrong -- but also be aware that not everyone is going to like one thing or the other in a story.

Can you share a few of your favorite books or authors? 

Well, author wise it would have to be Flannery O’Connor, F. Scott Fitzgerald, Colleen Hoover, and Meg Cabot. Each of these authors has a special place in my heart. If I ever need inspiration to help me as a writer, I look to these wonderful people. Especially O’Connor, since she is extremely quirky. My favorite books are The Great Gatsby by F. Scott Fitzgerald, Lord of the Flies by William Golding, We Were Liars by E. Lockhart, and The Scorpio Races by Maggie Stiefvater.

What inspires you? 

Music inspires me. I cannot write without some type of song playing in the background. The way movies can capture true emotion for the audience is through lyrics and sound, and I use that to my advantage. Music tells its own story with words as well, and it helps me paint a scene in my head, or an emotion I am trying to convey for my characters.

What are you working on now? What's next for you? 

With the Guardian Series finished, meaning the fourth book is done, just needs to be edited and cover reveal and all, I am working on this new project of a story retelling of Robyn Hoode. Yes, that is the spelling. I told myself if I were to do a retelling it would have to be on something that has not been constantly retold. So, this was the story that I saw less of on the shelves and wanted to give it a chance and see what I could create.

Anything else you'd like to add? 

I know the thought of self-publishing can be taboo in the writing world, but times are changing. It takes finding a wonderful team (editor, cover artist, and proof readers) that can help you along your path. It might be one of the best decisions you can make, if you are more focused on getting your story out there than receiving money right away. Those who start from the bottom sooner or later can reach the top. And that is an inspiring story to be told.

Links:

Friday, January 27, 2017

How to Get Published: Some of My Advice


Hi, everyone! It's hard to believe it is almost the end of January already! Some of you might have a goal to get published in 2017. One of my writing mentees sent me some questions the other day about publishing, and I thought it would be a great topic to explore a little more here on the blog. Here are her questions, and my answers. The main take-away is that there are a variety of options to publish your work -- all it takes is a little exploring and bravery to find them and submit!

And, if you have a flash-fiction story, essay, or poem you are interested in getting published online, please feel free to send it my way! I am currently accepting submissions for this blog and for the WordSmorgasbord online literary journal.


How do I find a publisher that will publish my book? 

There are some small publishers that you can submit your work directly to -- here is a website listing many of them: http://www.everywritersresource.com/bookpublishers/taking-submissions/

You will want to read through the publisher's website to get a sense of what they are looking for and if your book might fit. For submitting to traditional publishers -- big publishers like Random House and Scholastic, that you see in bookstores-- you need to have an agent. You can find agents listed in books like Jeff Herman’s Guide to Literary Agents and The Writer’s Market, magazines like The Writer and Writer’s Digest, and websites such as www.agentquery.com. When you find an agent you like, you send a "query" to the agent, which is a short letter about yourself, any publishing credits and writing experience you have, and why this book you have written needs to be published. This is where you sell yourself and make the agent want to read your work. Depending on the agent's submission guidelines, you might also send the first couple chapters and a synopsis of your book. After the agent reads this, they will contact you and ask for the entire manuscript if they are interested. And, if they like the entire book, they will ask you to sign a contract! Then they will work with you to revise the book and make it the best it can be before shopping it around to publishers.

Do you have a preference between self and traditional publishing? 

I think both are excellent options -- it just depends on where you are in your writing career and what you are looking for in a publisher. I was very happy to self-publish my first two books, and I learned so much about the industry and self-promotion to have "hands on" experience publishing my own books. Now, I am looking to venture into traditional publishing -- but it is taking quite a long time, for me at least, to break in! I have had two separate agents who believed in my books, but I have yet to get a publishing deal. Of course, some authors get publishing deals much more quickly, but for me at least, the lesson has been that it takes a lot of patience. When it comes to traditional publishing, you can control the quality of your writing, but beyond that it is pretty much out of your control. I think a lot comes down to luck and timing! Here, I have broken things down into lists of "pros" and "cons":

TRADITIONAL PUBLISHING
  • Pros: big-name publishers can help market your book, you don’t pay publishing costs, get an advance up-front, can build a relationship with editors
  • Cons: can get lost in the shuffle, lose control over book, can take a looong time, still need self-promotion!!

SELF-PUBLISHING
  • Pros: relatively fast, you have control over your content and cover design, you can publish what and when you want, platforms like CreateSpace make books available online to a wide audience
  • Cons: it's an investment, you bear costs up-front, self-promotion is vital, you might have a smaller audience for your work 

Do you think it is necessary to have an agent?

For traditional publishing with big-name publishers, yes, you need to have an agent. Those publishers will not accept work that is not submitted to them by agents. However, there are some smaller publishers that do accept work straight from writers, and then there is self-publishing, where you definitely do not need an agent! An agent is sort of like the connection between a big publishing house and a writer. They have established relationships with editors and, when it comes time to sell your book, they are the ones who are able to negotiate your contract. The standard rate is that an agent takes a small commission when they sell your work. They do not make any money if you do not make any money! Since my agent has not sold any of my books yet, she has not made a single penny from me (even though she has put in a lot of work on my behalf.) This just goes to show that if an agent signs you, they believe in you wholeheartedly! It is a neat relationship because you truly are a team.

***An Important Caution: If an agent asks to read your work or represent you, don’t be blinded by your excitement. You want to make sure this agent is the RIGHT agent for you – an agent that will represent you with honesty and enthusiasm, treat you fairly, and work with you to become a better writer. If an agent ever asks you to pay them money to read your work, they are NOT a legitimate agent. Find out about “scam” agents on the website Predators and Editors: http://anotherealm.com/prededitors/

Do you have experience having an agent?

Yes, I currently have a literary agent, who is actually my second agent -- a different agent signed me for my first book, we spent over a year working on edits, but she never felt it was "ready" to send out, and she didn't like the second novel I wrote. So we ended up parting ways and I found a new agent who I really like. Perseverance is KEY. It took me two long years to find my first agent, and another year to find my second agent. I could paper all four of my bedroom walls with rejection letters! Agents told me my book wouldn’t sell because it was too long, too short, too edgy, not edgy enough, I was too young, etc. etc. etc. But I believed in my writing and I believed in myself. I know there is a place for my novel in the literary world – I just had to find my “soulmate” agent who understood my book and who was as excited to find me as I was to find her! As of right now, I have written three novels, and my agent is currently trying to sell the third one. If this one doesn't sell, I will just work on a new novel and hope that one does! Publishing can be very fickle and confusing, and an editor might not buy your book for so many reasons -- they might be having a bad day, or they really like your writing but they already published a similar book, or the name of the main character brings up a bad memory of someone who was mean to them in elementary school. If you are rejected, it does not AT ALL mean that your writing isn't good enough. I have learned, and keep learning over and over, that the most important thing is to believe in yourself and persevere, and to enjoy the PROCESS of writing -- that is what you have control over.

Have you published without an agent?

Yes, I published my first two books without an agent, and they were both wonderful experiences -- I feel like my books were successful and I learned so much from the process! I also publish the Dancing With The Pen series on my own through CreateSpace. I think it is a wonderful time to be a writer because there are so many avenues available to publish your own beautiful, professional books!


Is it important to read the submission guidelines before submitting to an agent?

Yes! There are so many agents and they all want slightly different things, so it is CRUCIAL to read submission guidelines. You don't want the agent to think that you are sending out submissions to hundreds of different agents -- you want them to know that you chose them specifically because you think they will like your work based on what they have represented before. A great way to find agents is to look in the acknowledgments section or on author websites of books you really like that you think are similar to the book you want to publish. Usually you will be able to find the name of that author's agent, and then you can go on that agent's website and see if they are accepting new clients. Then it is really important to carefully read the submission guidelines and follow them when you send the agent your work! For example, some agents want to see the first three chapters; others want to see the first ten pages; some want you to attach your document; others want you to paste it into an email. The rules may seem silly or small, but if you don't follow them, your submission won't even be read!

Do you think there is an advantage to having someone else look at your writing before publishing?


Yes! Again, I could not agree more with this question! I think having someone else -- and it does not have to be a professional editor, it could also be a parent, teacher, friend, or relative -- look at your writing before you publish it is absolutely crucial. They can help you catch mistakes, fix small spelling or grammar errors that your eye skips over because you have read the pages so many times, and also they can let you know if anything is confusing or might be expanded or explained better. Often as writers WE know what we are trying to say, but sometimes things get lost in translation, so it is important to get someone else's perspective. Before you publish anything, you want to make sure it is the best it can be, and having someone else look at your writing is an important step of that process.

 

Sunday, January 8, 2017

New Story by "Dancing With The Pen II" Contributor Vivek Bellam

Today we continue our Dancing With The Pen II blog tour with an exclusive extra story by young writer Vivek Bellam, whose story "Battlebots" is featured in the book. Order a personalized copy of Dancing With The Pen II: a collection of today's youth writing here or on Amazon here.



Dogs Can Write?!

by Vivek Bellam

My dog Lillipup walked over to me with a pen in her mouth. Lillipup is a golden brown color. She is small, has floppy ears, and a peacock tail, and she is four years old.

“Lillipup,” I said, “give the pen to me.”

Lillipup ignored me and walked over to a piece of paper that had dropped on the floor. She clicked the blue pen and, when the ink touched the paper, everything she wanted to say to me appeared on the paper like magic.

The pen wrote, Hey Vivek. I want my teddy bear. Do you know where mom put it? 

The teddy bear is Lillipup's toy that she found when we went to visit our cousins. She liked the toy so much that we decided to bring it back home with us. Before long, Lillipup had ripped off an ear of the bear. Now the area where one ear used be is sewn together. The bear is small, has no accessories, and is the same golden color as Lillipup's fur.

When Lillipup dropped the pen, I picked it up, and wrote down what I wanted to say to her, hoping she would understand it.

I wrote back, I don't know where Mom put your bear. Also, do you remember when we adopted you? 

When we first adopted Lillipup, I didn't like dogs. When my sister came back from looking at puppies, there was a certain dog she wanted me to see. As soon as I saw Lillipup, I immediately wanted to play with her.

I didn't know if Lillipup could read the words I wrote down, but somehow, she understood. When I gave the pen back to her, she wrote, You can keep the pen. And I do remember that. Why were you scared of dogs?

I nearly shouted it, but I whispered, “Street dogs bit dad in India once and he got an infection, but I was never scared of you. Thanks for the pen, Pup. I'll write more to you later!”

With that, off I went to my room with my new blue Pilot G-2 07 magical clicking pen.

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Vivek Bellam is a ten-year-old fifth grader who lives in California. 




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