How Not to Lose the Ending of a Story

A Guest Post by Lucy Adams

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Excellent stories influence people months and even years after they are read. However, it sometimes happens that a story that seems perfect at first glance eventually does not meet the high expectations of both the author and the audience. Why does this happen?

Imagine you read a book with all the components (conflict, plot, characters, idea, symbols) in harmony, but after half a year passes you can’t recall even the name of the protagonist, let alone the details. What's the catch?

In most cases, the weakest point of the book is its ending. Weak endings have buried millions of potential bestsellers! Memorable stories always have a strong ending, and it seems that such stories live their own lives. Some of them become great and live for centuries, influencing the fates of readers.

Today our goal is to identify and analyze the main mistakes that authors make when working on the final of the book.

To begin with, let’s distinguish three main reasons that make an ending boring and unremarkable: 

1. Premature ending.
2. Artificial ending.
3. Fully completed ending.

#1 Premature Ending 

There are several reasons that an ending might seem premature:

• There is a too-fast change in the character traits of the protagonist. 
For the reader, the shift in the mindset and character traits is the most important event: the climax in the story. And if it happens too early, the development of the character ceases, and hence all subsequent events seem not so significant and not so interesting to the reader.

• Too-fast goal achievements. 
In every story, the protagonist (as well as the antagonist) has an ultimate goal that he strives for through thick and thin. For example, to get the woman of his dreams. When this happens, the reader gradually gets bored. Therefore, if you want to change the global desire, you should introduce some plot twists as well.

• Untypical actions. 
A coward suddenly becomes brave; an angry soldier engages in charity; a child solves Fermat's theorem, etc. Untypical actions are a sign that the events happen not for the objective reasons but the will of the author. And it’s quite disappointing for the reader!

#2 Artificial Ending

The artificial ending is the most common mistake among aspiring writers. In most cases, the reason for such an unremarkable ending is a thoughtless plot. Note that any narration should be a consistent system that contributes to the development of the protagonist and further change in his or her traits. Non-compliance with this rule results in a blurred ending. Although there’s often is a visible ending, the thoughtful reader will see that you did not know where you were going but simply wandered meaninglessly in the dark.

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#3 Fully Completed Ending

The protagonist reached his goals, changed his traits, and finally achieved complete tranquility… nothing more bothers him, and that’s cool! All the secondary conflicts are solved, and there’s nothing more to talk about. These events suggest that the story is over. But in fact, it should not be so! The achieved calmness is temporary while the change in traits does not guarantee a peaceful life! An excellent story lives for a long time because its ending is always a start of something even more intriguing!

Let’s recall One Flew Over the Cuckoo's Nest by Ken Kesey. The story seems to be over. What to talk about? Suddenly the Chief escapes from the hospital to continue the work of McMurphy, thereby giving us a new meaning. The idea is still alive; it doesn’t die with the protagonist!

In Conclusion 

When working on the ending of the story, authors should make sure that:

• The ending is not premature and the plot develops naturally, preparing readers for the final stage.
• All the secondary storylines are completed.
• The protagonist has reached the goal or failed the mission.
• There are no questions left regarding the main characters.
• The ended story gives birth to a new one and leaves room for thought.

I wish you best of luck in your writing endeavors!


Bio: Lucy Adams is a blogger and essay helper from BuzzEssay. She covers a wide range of topics, from education to psychology. Lucy is a generalist ready to prepare a few guest posts exclusively for your blog. Feel free to suggest something interesting, and you will get a fast and grounded response!

Interview with best-selling author & screenwriter William Martin

I am so thrilled and honored to have William Martin as a guest on the blog today! He has written ten novels, an award winning PBS documentary, book reviews, magazine articles, and one of what he calls "the cheesiest horror movies of all time." His first novel, Back Bay, spent fourteen weeks on the New York Times Bestseller List and introduced Boston treasure hunter Peter Fallon. Since then he has been telling the American story, from the Pilgrims to 9/11. His tenth novel -- and fifth to feature Peter Fallon -- is The Lincoln Letter which was published by Forge this past August. In 2005 he received the prestigious New England Book Award, given "to an author whose body of work stands as a significant contribution to the culture of the region." There are now over three million copies of his books in print. He has three grown children and lives near Boston with his wife. He says, "I am fortunate to have lasted for more than three decades in a very unpredictable business." I feel very grateful that he took the time to answer some questions for us about his latest book and his writing process. Enjoy! 

Tell us about your latest book The Lincoln Letter. 

Like all the Peter Fallon novels, it is a history/mystery. Abraham Lincoln loses his diary in the spring of 1862. What was in it? Who got hold of it? And where is it today? Like its predecessors, it's two stories in one. Peter and Evangeline set out to find the diary in the modern day. Their search takes them into the Civil War history of Washington DC. And as they search history, it comes to life. Peter was one of the first of a fictional type that has become quite popular of late: the smart guy searching for the lost historical artifact that can change the world. What separates the Peter Fallon books from the others, however, is that the reader gets to live the history. The Lincoln Letter is both a modern suspense thriller and a historical novel set in gritty, muddy, conspiracy-filled Civil War Washington.

How does writing a novel compare to writing a screenplay?

Much more freedom with a novel. A screenplay should only be about 120 pages, tops. A novel can be however long it takes to tell the story. A screenwriter is an architect, drawing a blueprint for a movie. A novelist is director, writer, actor, cinematographer, set designer, special effects coordinator... Novelists have more freedom to write what they want and usually fewer people offering opinions when they are done.

How did you get started writing? 

I went to LA to study moviemaking. I figured out that the quickest way into the business was to write screenplays. I wrote several that I could not sell (the fate of most screenplays). A producer said, "The way you write, you should write a novel." So I wrote Back Bay and it became a best seller.

What is your writing process like? How do you balance writing and research? 

I write on a computer, like most people these days. I used to write longhand on looseleaf, then type it all myself. That was a killer. The computer can't write for you. I mean, how many of the great novels were written on computers? But it sure can make the whole process easier. As far as balancing writing and research, there really is no balance. You just do what you have to to give the story and its characters the truth that they need.

How do you get ideas for what you write? 

I don't know is the honest answer. But... I read, I ruminate, I talk to my agent and editor. And once I'm writing, I often let history give me my big scenes, like, say, the Battle of Anteitam or the assassination in Ford's Theatre.

What is your biggest advice for young people reaching for their dreams?

If your dream is to write, WRITE. Don't dream about it. Many people will tell you the odds against you, but you have to believe in yourself.

Is there anything else you would like to add? 

Samuel Johnson said, "No man but a blockhead ever wrote for anything but money." And yes, I write to pay the bills, to put three kids through college, to buy a few nice wines, to do some traveling. But there are easier ways to make money. Like most writers, I also write for fulfillment, for the fun of traveling to different places or times to meet, in my imagination, people whom I would never encounter in real life. I write to learn and perhaps to teach. I write to get myself through the day and to help others get through the night. I write because I hate traffic and would kill myself if I had to commute beyond my attic office. And I write because I love knowing that somewhere, right now, someone is reading one of my books and seeing the world through my eyes.

Connect with William Martin:

• Website
• Facebook page
• Buy The Lincoln Letter on Amazon