Whenever I read a rough draft by a young writer, or when I look over a business plan from a student asking me for feedback, or when I am pitched an idea for a collaboration or project, I think of a woman named Cynthia. I don't even know her last name, but she had a profound impact on me.
I was a sophomore in high school, attending a writing conference for the first time. It was the Santa Barbara Writers Conference and it was a wonderful, energizing smorgasbord of resources, lectures, writing workshops, speakers, and information.
However, I felt completely and utterly overwhelmed.
The youngest one in attendance by at least a decade, to say I was "out of my comfort zone" that week would be putting it mildly. Shy by nature, I was desperately homesick and felt like I did not belong. I remember those first few meals in the dining hall, looking around for somewhere to sit, feeling like the little kid asking to eat at the grown-up table.
Then I met Cynthia, in a workshop called "Writing for Children." I summoned the courage to share a story I had written with other members of the workshop, and they responded with heartfelt encouragement. Cynthia, with no-nonsense energy and a warm smile, came up to me after class ended and asked if she could read a copy of my entire story. "You're talented," she said. "I want to help you get published." Not only did I have a friend to sit with in the dining hall the rest of the week, but I also had a writing buddy -- someone who treated me like a peer and took my work seriously.
Later that summer, I received a package in the mail with my story pages, generously written all over with comments, suggestions and edits in blue pen. Out of the goodness of her heart, Cynthia took the time (a lot of time, I know now, from commenting on student manuscripts myself) to painstakingly read through the pages of my story and help me become better. She invested time in me because she believed in me. In setting a high standard -- in treating me like a fellow professional writer, even though I was still a high school student -- she inspired me to treat myself like a professional, too.
I think of Cynthia's gift to me whenever I encounter work by a young person. I make a point to never talk down to my students or brush their dreams off, for "someday later" when they are older or wiser or more experienced. I know the truth: they have all the experience they need, right in this moment, to create the best work they are able to right now. Because we are always growing and evolving and changing, all of us, no matter how old. We are always learning and becoming better. But this marvelous and important growth does not happen when we patronize our young people. So, like Cynthia did for me, I set the bar high for my students -- and then, I delight in watching them rise and surpass those high expectations.
I thought about all of this when listening to a recent Innovate Podcast interview with Liz Maw, CEO of the nonprofit organization Net Impact. At the heart of Net Impact's mission is a passion to empower a new generation to use their careers to "drive transformational change in the workplace and the world." This struck me as incredibly innovative -- and yet also, familiar. It made me think of the way Cynthia treated me. Indeed, when I listened to Net Impact's mission, I found it refreshing that they are not aiming to connect with the established "old guard" to spur change that transforms the world. Nope -- they are reaching out to a community of students and recent graduates who are just starting out in their careers. Rather than dismissing young people as too inexperienced or not influential enough, Liz Maw and Net Impact set a high bar for these students as capable of making big positive change. And what an effect they have had! Net Impact’s community now includes more than 60,000 student and professional leaders from more than 300 volunteer-led chapters around the globe, working together for a sustainable future.
How are you setting a high bar, for others and for yourself? Who has set a high bar for you in your life, and what impact has this had on where you are now?
Cynthia, if you ever read this, I want to say, THANK YOU.
Showing posts with label teachers. Show all posts
Showing posts with label teachers. Show all posts
Friday, October 28, 2016
Tuesday, August 9, 2011
Part II: Interview with Alan Sitomer, award-winning author of NERD GIRLS
Today I am delighted to continue our Write On! interview with award-winning author and California 2007 Teacher of the Year Alan Sitomer. His latest book, Nerd Girls, is available on Amazon here.
Besides being an author, you are an award-winning teacher. How does teaching influence your writing and the creation of your material?
I show all of my books to real kids first. My students, former students, fans I have gotten to know from around the country, they all get to check out my books hot off the press before anyone else gets a chance to see them. That means before my literary agent. That means before my editor. That means before anyone in the adult world who works in “the publishing industry.” Real kids are my readers and if they don’t like something – if they don’t laugh, if they don’t cry, if they don’t approve – then it doesn’t really matter what the adults think.
Kids are my best, and toughest audience. If my books flies with them, then I know I am good and I’ll go ahead and take it to the next level and begin to show it to the people in the publishing industry. But if I do not get their seal of approval, I stop, listen to their feedback and go back into the piece to go make it work. It’s probably why my fans are so loyal; they know that I respect them and I listen to them and I like them.
Kids who read my books can know that other kids have read them first and given the “Thumbs Up!” sign. I really think that is an important element to my work.
You often talk about “puttin’ the fun” in reading, writing and school. Why?
Let’s be honest: sometimes school can get SO BORING! And there’s no reason for it. But still, grumpy adults sometimes send the message to kids that life is to be serious, serious, serious and humorless, humorless, humorless.
To them I say BLAAAAHHH!
Students are at their best when they are enjoying what they are doing. Students will read more books when they like what they are reading. Students will learn more about a subject when they like what they are learning. Students will try harder to do a good job on the work they are being asked to do if they like the work that they are doing.
That’s my belief and I am sticking with it. (Besides, I was named California Teacher of the Year so ya might think I know just a wee little bit about this stuff, huh?)
Of course, there is a time to be serious. But being serious does not mean that you can’t enjoy yourself. Of course kids have to realize that there are some things in life you just have to do - and do well - even if they are not “fun.” I get that. It’s called reality and the bigger point of school is not to be entertaining. But for the most part I’ve found it’s actually quite satisfying to work really, really hard on something that challenges you deeply. Finding the joy in the challenge is what brings out the best in us.
However, sad to say, it seems as if some schools have forgotten this. Not all – and if you have a teacher that tries hard to make learning fun and meaningful and exciting and interesting – consider yourself lucky. Why? Because I’d venture to say that teachers like this eventually end up teaching you a great deal. School is not a comedy club, but it’s not a funeral home, either, and I believe that a classroom without laughter is a classroom that is not operating at its highest possible potential. Before kids are students, they are people and people need to laugh much like they need to eat and breathe and love.
Just to be clear, I believe that working hard is important. In my classroom, I have little patience for goof-offs but I have a lotta love for kids who put good ol’ fashioned positive energy into their efforts. My belief is that you are not enjoying the work, you probably aren’t going to learn as much as you would if you were enjoying the work. Plus, you are much more likely to try harder when you care about and enjoy what you are doing. Making reading enjoyable and making writing enjoyable makes better readers and writers.
Fun is my secret sauce. It works!
What else can we expect from Nerds Girls beyond this first book?
There is all kinds of crazy, fun stuff right now. I’ve built a game. I’ve created some author videos. There’s a Nerd Girls comic.
All free for anyone who wants them.
Of course, there’s already Hollywood talk of a movie and a TV show and clothes and merchandise and blah, blah, blah. (www.TheNerdGirlsWorld.com is the home base for information about all of this stuff.)
But for me, it’s all about the core material right now. Nerd Girls Book II is on its way and beyond that there are a few more surprises in the works.
All in all, I guess it’s just about making sure to have fun, work hard and continue enjoying all the great kids I get to meet who have become fans of my writing. Of course, the teachers and the librarians are great, too, but it’s all about the kids. Their approval means the most to me.
And really, how ridiculously lucky am I to have it? As I tell folks all the time, it’s quite healthy to channel your inner nerd. That’s all I am doing right now. It’s good for the soul.
If you missed Part I of my interview with Alan, check it out here.
Links:
Besides being an author, you are an award-winning teacher. How does teaching influence your writing and the creation of your material?
I show all of my books to real kids first. My students, former students, fans I have gotten to know from around the country, they all get to check out my books hot off the press before anyone else gets a chance to see them. That means before my literary agent. That means before my editor. That means before anyone in the adult world who works in “the publishing industry.” Real kids are my readers and if they don’t like something – if they don’t laugh, if they don’t cry, if they don’t approve – then it doesn’t really matter what the adults think.
Kids are my best, and toughest audience. If my books flies with them, then I know I am good and I’ll go ahead and take it to the next level and begin to show it to the people in the publishing industry. But if I do not get their seal of approval, I stop, listen to their feedback and go back into the piece to go make it work. It’s probably why my fans are so loyal; they know that I respect them and I listen to them and I like them.
Kids who read my books can know that other kids have read them first and given the “Thumbs Up!” sign. I really think that is an important element to my work.
You often talk about “puttin’ the fun” in reading, writing and school. Why?
Let’s be honest: sometimes school can get SO BORING! And there’s no reason for it. But still, grumpy adults sometimes send the message to kids that life is to be serious, serious, serious and humorless, humorless, humorless.
To them I say BLAAAAHHH!
Students are at their best when they are enjoying what they are doing. Students will read more books when they like what they are reading. Students will learn more about a subject when they like what they are learning. Students will try harder to do a good job on the work they are being asked to do if they like the work that they are doing.
That’s my belief and I am sticking with it. (Besides, I was named California Teacher of the Year so ya might think I know just a wee little bit about this stuff, huh?)
Of course, there is a time to be serious. But being serious does not mean that you can’t enjoy yourself. Of course kids have to realize that there are some things in life you just have to do - and do well - even if they are not “fun.” I get that. It’s called reality and the bigger point of school is not to be entertaining. But for the most part I’ve found it’s actually quite satisfying to work really, really hard on something that challenges you deeply. Finding the joy in the challenge is what brings out the best in us.
However, sad to say, it seems as if some schools have forgotten this. Not all – and if you have a teacher that tries hard to make learning fun and meaningful and exciting and interesting – consider yourself lucky. Why? Because I’d venture to say that teachers like this eventually end up teaching you a great deal. School is not a comedy club, but it’s not a funeral home, either, and I believe that a classroom without laughter is a classroom that is not operating at its highest possible potential. Before kids are students, they are people and people need to laugh much like they need to eat and breathe and love.
Just to be clear, I believe that working hard is important. In my classroom, I have little patience for goof-offs but I have a lotta love for kids who put good ol’ fashioned positive energy into their efforts. My belief is that you are not enjoying the work, you probably aren’t going to learn as much as you would if you were enjoying the work. Plus, you are much more likely to try harder when you care about and enjoy what you are doing. Making reading enjoyable and making writing enjoyable makes better readers and writers.
Fun is my secret sauce. It works!
What else can we expect from Nerds Girls beyond this first book?
There is all kinds of crazy, fun stuff right now. I’ve built a game. I’ve created some author videos. There’s a Nerd Girls comic.
All free for anyone who wants them.
Of course, there’s already Hollywood talk of a movie and a TV show and clothes and merchandise and blah, blah, blah. (www.TheNerdGirlsWorld.com is the home base for information about all of this stuff.)
But for me, it’s all about the core material right now. Nerd Girls Book II is on its way and beyond that there are a few more surprises in the works.
All in all, I guess it’s just about making sure to have fun, work hard and continue enjoying all the great kids I get to meet who have become fans of my writing. Of course, the teachers and the librarians are great, too, but it’s all about the kids. Their approval means the most to me.
And really, how ridiculously lucky am I to have it? As I tell folks all the time, it’s quite healthy to channel your inner nerd. That’s all I am doing right now. It’s good for the soul.
If you missed Part I of my interview with Alan, check it out here.
Links:
- Alan's official website: www.AlanSitomer.com
- Nerd Girls books: www.TheNerdGirlsWorld.com
Wednesday, March 16, 2011
Guest Post by Brian Jenkins
Thoughts on Getting an MFA Degree in Creative Writing
by Brian Jenkins
Should aspiring writers go for a Master's in Fine Arts degree in creative writing? It depends who you ask. Gail Hochman, a New York agent at Brandt & Hochman, stated in an article in The Atlantic, "We look favorably on anyone who has an MFA, simply because it shows they're serious about their writing." She also said, "but perhaps more important than which program the student attended is which writers that student studied with."
MFA programs in creative writing provide young writers with the distinct opportunity to connect with more accomplished writers. They receive advice from experts on craft, technique, and other important aspects of writing and also get feedback on their works-in-progress. Students typically read authors of classic literature and become aware of their styles so they can try to integrate these into their own writing.
Some programs also provide opportunities to meet agents, editors, and publishers. Many graduates from highly regarded MFA programs get their work published soon after obtaining their degrees.
According to the same article in The Atlantic, Ethan Canin, a University of Iowa faculty member and an alum of its Writers' Workshop, believes that a student's competitiveness can be "humiliating and degrading" but also sobering in useful ways. However, many professors and program directors report that their programs are places where writers can find some sanctuary from judgement. They feel as though writing students are surrounded by supporters and mentors. Chuck Wachtel, program director at New York University, said, "I see it as not so much teaching students as helping them learn."
Many of the writers who are teaching at top programs teach infrequently. They typically teach only one class every year and a half. This is because many schools believe published works do more to enhance the program's image than the amount of time instructors teach classes.
Getting Accepted to an MFA Program
Most program directors report that a short writing sample is the primary factor in determining who gets admitted into the program. Typically, the four vital elements program directors look for in candidates are talent, teachability, ambition, and collegiality.
Full-Residency Programs
In full-residency programs, students get immediate feedback on their writing and feel like part of a community of writers. These programs usually take two to three years to complete.
Low-Residency Programs
In these programs, writers don't need to spend a lot of time on-campus. Low residency programs are appealing to people who have full-time careers. Many programs emphasize close, directed reading of books every semester. Students correspond with a faculty advisor online, and in some programs they also correspond with other students. They usually attend 7 to 10 day residency periods in the summer and winter. The residency periods place an emphasis on workshops and provide contact with faculty members. Low-residency programs can usually be completed in four semesters.
Writers interested in getting an MFA degree can check out the Poets & Writers website to review low- and full-residency MFA creative writing programs in the United States and in other English-speaking countries.
MFA Program Workshops
It's vital to find out how a program's workshops are operated. Regarding less effective workshops, Michael Cunningham, Brooklyn College's director and a Pulitzer Prize winner, stated, "you typically show up with work in hand, and people tell you what's wrong with it." He also thinks that another problem is the consensus nature of the workshop process, which may lead young writers to validate work that seems similar to other generally acclaimed work.
If you're considering enrolling in an MFA degree program in creative writing, it's important to get familiar with the faculty members' work to see if they'll be suitable mentors for you.
Brian Jenkins writes feature articles primarily on career topics for BrainTrack.com, where he has contributed content to the website's guide to career planning.
Tuesday, April 20, 2010
Welcome, Kathy Stemke!

MOVEMENT AND RHYTHM
Kathy Stemke offers activities that focus on the holiday de jour in each of her monthly newsletters.Here is an example of an Earth Day activity:
Help the Earth Activity
First, discuss with the children how they can help the earth. Then introduce this game. The teacher makes a statement. If the statement is true or a good way to help the earth, the children jump up and down. If the statement is false or an activity that would hurt the earth, the children squat down and touch the floor. Use these questions and add a few of your own.
Donate your old toys to charity. (true)
Fix a leaky faucet. (true)
Let the water run when brushing your teeth. (false)
Sleep with your lights on at night. (false)
Bring old cans to a recycling center. (true)
Join with your friends to collect trash in the neighborhood. (true)
Throw your trash out the window of your car. (false)
Throw the newspaper out every day. (false)
Plant a tree. (true)
Turn the lights off when you leave a room. (true)
Use both sides of a paper. (true)
Catch rain in a bucket to water the garden. (true)
Let helium balloons float up into the sky. (false)
Grow a garden. (true)
Rethink, reuse, recycle. (true)
Fill your bathtub up to the top. (false)
Kathy’s newsletter is bursting with original songs and suggested movements like the following example:
I CAN BE A SUNBEAM SUGGESTED MOVEMENTS
I can be a sunbeam Hands clasped together, arms high,
A sunbeam, a sunbeam, make a large circle like the sun.
I can be a sunbeam,
And I'll shine down on you!
I can be a raindrop, Arms in the air, fingers floating
A raindrop, a raindrop. down like rain
I can be a raindrop,
So here's some rain for you!
I can be a flower, Children in squatting position,
A flower, a flower. slowly 'growing' to stand big and tall
I can be a flower,
Growing just for you!
I can be a buzzing bee, ‘Buzz' around like a bee
A buzzing bee, a buzzing bee.
I can be a buzzing bee,
With honey sweet for you!
There are also great math games in every newsletter like the one below:
Math Game
Tub of geometric shapes
Ramp made of blocks and mat board. Build the ramp with a long piece of mat board and blocks
Hula Hoops
Word cards - Slide, roll, slide and roll
• Work with small groups of about ten students.
• Give each child a 3D shape.
• Have each child take a turn to see if their object slides or rolls down the ramp or does both. Let them try a few times.
• Put two Hula Hoops on the carpet that are intersected like a Venn diagram.
* Place the word cards in the hoops at the appropriate places.
• Students place objects that roll on one side, objects that slide on the other and objects that do both in the middle.
• Count how many objects in each category and record the number on a paper.
• Talk about which side has fewer and which side has more. Ask children why some did not roll or did not slide.
Kathy likes to feature one children's author each newsletter. If you write children's books and would like to be featured in Kathy's newsletter, email her at dancekam1@yahoo.com
Here is an example of a spot about Shari Lyle-Soffe.
Meet Shari Lyle-Soffe author of The Rooter and Snuffle Series, Nothing Stops Noah, A Horse Of Course. Shari lives in the woods of Southern Oregon where she writes about the animals she sees in her yard. The animals tend to act like children and have to solve the same problems. Her work has been published in many of the leading children's magazines.
For great teacher resources and to learn more about these books go to http://sharilylesoffe.com
WELCOME TO GRANDPA'S PET SHOP! Noah wants to earn some money for something special, but who would hire a boy so young? Nothing stops Noah! He quickly finds someone who will give him a job and he goes to work right away. Counting is required for the job and Noah can only count to ten. Counting to ten leads to a lot of mishaps and misunderstandings, but no matter what happens Nothing Stops Noah! Chaos breaks out in the pet store. Will Noah get everything back together before the owner returns? Will Noah get paid? What is the something special Noah wants to buy?
If you write children’s books or teacher activity books and would like to be part of Kathy’s newsletter, just email her at: dancekam1@yahoo.com
To find out more about Kathy’s blog, books and newsletter go here: http://educationtipster.blogspot.com
Moving Through all Seven Days link: http://www.lulu.com/content/e-book/moving-through-all-seven-days/7386965
Follow Kathy on twitter: http://twitter.com/kathystemke
Follow Kathy on Facebook: http://www.facebook.com/topic.php?uid=6147172660&topic=4910#!/kathymarescomatthews.stemke?ref=profile
Monday, October 5, 2009
Check out this site
James Patterson is not just a best-selling author; he is also a phenomenal literacy advocate. He has helped found the website www.ReadKiddoRead.com with the goal of inspiring kids to become life-long readers and book lovers.
Here is their mission in Patterson's own words: "The only way to get kids to read [is] to give them great books, cool books, books they [will] absolutely, positively love. I believe we've gathered the creme de la creme of such reading right here. These are very, very special books that kids will gobble up and ask for more. If your kids get a few of these books under their belts they'll be well on their way to becoming readers for life. I promise you."
ReadKiddoRead breaks up book selections into age categories and also subject categories to satisfy every type of young reader. The site also features interviews with authors, quizzes, reading guides, and more. Here's their "12 Tried-and-True Ways to Get Your Kiddos Reading."
Here is their mission in Patterson's own words: "The only way to get kids to read [is] to give them great books, cool books, books they [will] absolutely, positively love. I believe we've gathered the creme de la creme of such reading right here. These are very, very special books that kids will gobble up and ask for more. If your kids get a few of these books under their belts they'll be well on their way to becoming readers for life. I promise you."
ReadKiddoRead breaks up book selections into age categories and also subject categories to satisfy every type of young reader. The site also features interviews with authors, quizzes, reading guides, and more. Here's their "12 Tried-and-True Ways to Get Your Kiddos Reading."
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